Showing posts with label Different For Girls. Show all posts
Showing posts with label Different For Girls. Show all posts

Friday, December 29, 2017

Dierks Bentley Highlights from 2017

Looking back on 2017, the year was packed with memories! With the What the Hell tour, chart-topping singles, award shows, and humanitarian efforts, it was, no doubt, a busy one for Dierks and the guys. Here is a timeline of highlights from this year:

Jan. 3--Dierks was one of only two artists to earn two RIAA awards for 2016: “Somewhere on a Beach” was designated platinum while his duo with Elle King, “Different for Girls,” earned gold status. In this same announcement, Dierks received RIAA gold album honors for "Feel That Fire," "Home," and "Riser."

Jan. 4--"Somewhere on a Beach" was announced as a nominee for the Country Song of the Year category at the iHeartRadio Music Awards.

Jan. 13--After teasing the video through social media channels the week prior, the "Black" music video was finally released. And it was so worth the wait. Featuring Dierks' wife, Cassidy, as the female lead, though filmed in frigid Iceland, the video was pure fire.



Jan. 21--Dierks fulfilled his dream of playing at the famed Bridgestone Arena. "What an honor it is to finally get here ... The chance to play Bridgestone Arena in my adopted hometown of Nashville, Tenn., to a sold-out crowd is something I've only dreamed of in my biggest dreams. Everything, I feel like, in my career has led to this moment here.


Jan. 24--Three members of the Dierks Bentley team walked away winners from the CMA Touring Awards: Dan Hochhalter (@fiddlinDan) as Touring Musician of the Year; Chris Reade (@chrisreade) as Lighting Director of the Year; and Tom Addison (@TMtomAddison) as Tour Manager of the Year. Can we give the entire team awards?

Feb. 1--DBCongress.com celebrated eight years! Since that launch, a couple thousand blogs have been written with hundreds of reps looking on, totaling more than 650,000 views! Thank you for making this fan club and website a success!

Feb. 12--Though they didn't walk away with the win, Dierks and Elle King secured a nomination for "Different for Girls" in the Country Duo/Group Performance category at the 59th Annual Grammy Awards. This was the 13th nomination for Dierks and the third for Elle.

A post shared by Dierks Bentley (@dierksbentley) on

Feb. 23--Dierks' eighth studio album, "Black," earned RIAA gold. The certification made it the only ACM “Album of the Year” nominated project to reach this mark.

Also Feb. 23--DB Congress welcomed a new blogger to the team. Jessica is a rep for the state of Washington (@AllTheWayToMe). Her Dierks love was instant and it's been an unforgettable road ever since! You can see her blogs here throughout 2017.

March 5--"Days of Dark" was released on the major motion picture "The Shack" soundtrack. "The idea of the song is there are these days of dark that need to be overcome. It has kind of a dark title but in the end it's kind of an emotionally uplifting song."



March 7--Dierks' third Whiskey Row opened, this one in Glibert, Ariz. In addition to food and drinks, this location features indoor corn hole, ping pong, a dance floor and stage. The fourth restaurant, this one in Nashville, should be open soon.

March 16--Dierks, along with "an extraordinary collection of music stars," put on an all-star concert-- "The Life and Songs of Kris Kristofferson" at Bridgestone Arena in Nashville. This event "brought together fans, friends and music icons to honor the songs of Grammy Award and Golden Globe Award-winning singer-songwriter and actor Kris Kristofferson."

April 2--Dierks and Luke Bryan teamed up once again to host this year's ACM Awards. Dierks brought charm, wit, four wardrobe changes (okay, we lost count), and raw talent to the stage. At this event, Dierks had the opportunity to perform "Black" live. Dierks, Luke, and Eagles rock legend Joe Walsh kicked off the night in a pleasantly surprising way with a high-energy, musically-loaded tribute to the late Chuck Berry. Near the end of the night, “Flatliner” with Cole Swindell, had the entirety of Vegas rocking! Dierks was nominated for Male Vocalist of the Year, Album of the Year for "Black," and Vocal Event of the Year with Elle King. Though he didn't walk away with a physical award, we can all agree he won in our books.



April 17--Dierks' wife, Cassidy, ran the Boston Marathon, all in the name of charity. Running for the Safe Haven Family Shelter in Nashville (which was featured in Dierk's Riser video), Cassidy successfully raised $25,000 for the shelter.

May 1--An award-winning day for Dierks, his team announced that “Different For Girls” hit RIAA platinum, while “Black” turned to RIAA gold even before topping country radio charts.

May 7--The Metropolitan Nashville Airport Authority Board of Commissioners announced Dierks had accepted the seat as the Industry/Commerce/Finance representative. “I love Nashville and I love aviation,” he said in a recent interview about this appointment. “There are many big changes happening in our city right now as it continues to grow so rapidly. I am very excited to get a chance to be involved in facilitating and managing that growth as it pertains to our airports and aviation services.”


May 15--Ben Hanback, featured in the "Drunk on a Plane" music video, released a book, "Never Leave the Locker Room of the Super Bowl". In this collection of articles on relationships and leadership, he mentions Dierks and DB Congress throughout.

May 20--Dedicated DB Congress member, Laura Parrish, passed away, spurring Dierks and his manager to post about her passing. It's clear the connection between Dierks and his fans is at the heart of all he does.



May 28--Making our world go black, one year after the release of what is considered to be Dierks Bentley’s “most fully-formed release of his career,” the title track, "Black," made it to the #1 position in MediaBase charts. This was his 16th career #1 single. It later became the #1 video on CMT.

June 5--Dierks had the opportunity to fulfil a bucket list dream--singing the national anthem in the Stanley Cup Finals. (Icing on the cake was his team, the Nashville Predators, were playing.) Despite being on vocal rest, with his iconic "whiskey-soaked grit in his voice," Dierks reverently sang our nation's anthem.



June 8--The Tennessean named Dierks as a top 5 moment from the CMA Music Festival. Playing everything from "Tip it on Back" to "What the Hell Did I Say," along with cracking jokes at Garth Brooks' expense, his performance simply "rocked."

June 19--Dierks and the band were hiding in plain sight at a handful of What the Hell Tour shows before people caught on to the act. Calling themselves the "Bolo Boys" with a new questionable band name in every city, their antics and outfits kept their secret.



June 22--Dierks once again participated in the ACM Lifting Lives Music Camp in Nashville, working with "Black" producer Ross Copperman to write a new song with camp attendees. Their final product, "I Love Big," was later performed by Chris Young at the Grand Ole Opry. "When you a visit a children’s hospital or something, you go in there thinking, 'I’m going to bring something to the table. I’m going to lift them up,' and then you walk in there and you’re like, 'Oh they’re going to lift me up.' They inspire you so much."

June 26--"What the Hell Did I Say" hit the radio airwaves as the fourth single off the "Black" album. “We named the tour after this song hoping that it would be a single this summer because it perfectly captures the anything-goes spirit out there this year."

June 29--Nashville's Hutton Hotel added a Dierks-branded songwriting room in their new music venue. "Dierks drew from his Arizona roots—the use of Saltillo tile, rustic elements and Navajo area rugs—to create his motif. In addition to recording equipment and a vocal booth, Dierks’ room is furnished with a leather couch and chairs."

July 10--The Bentley family welcomed two four-legged family members to their home, rescuing them from the local animal shelters. EmmyLou Who and Patch Adams joined George, who had gotten lonely without his buddy Jake.


July 18--Just months shy of his 12th anniversary of being a Grand Ole Opry member, Dierks performed at the Opry, noting how much of an honor it was to be there. "I hope you all have the best time in Nashville--this great city. [It'd] be nothing without these great country music fans." 

Also July 18--Dierks found himself the answer (or shall we say question?) to a Jeopardy clue in (one of two in 2017). This one asked, "Naturally, Dierks Bentley sang of "Bourbon in" this state." 

Aug. 14--In collaboration with Cole Swindell, "Flatliner" hits #1, the seventh consecutive #1 for Cole who opened for Dierks on the What the Hell Tour.

Aug. 21--Where else would Dierks be during the once-in-a-lifetime solar eclipse? Flying the path of totality at 41,000 ft.! Ever the jokester, he donned his homemade eclipse glasses in this photo (where he's clearly having too much fun!):



Aug. 25--To help preserve the parks for future generations, Dierks partnered with the National Park Foundation and National Park Service to help celebrate the 101st birthday of the national parks through their ‘Parks 101’ campaign.



Sept. 12--Dierks, along with 100 other celebrities across three cities, teamed up for the Hand in Hand Telethon to raise money for hurricane victims. Together, they raised a reported $44 million.



Sept. 14--In a New Orleans concert, U2 stunned the audience--and very clearly, Dierks Bentley--with a cover of "Drunk on a Plane" as an interlude in their hit "Beautiful Day." Dierks and U2 frontman, Bono, are long-time friends, but this was the ultimate compliment and surprise to our DBC president.



Sept. 20--Dierks and Luke Bryan took the stage together (this time with actor Kevin Costner's band!) for the grand opening of the Wonders of Wildlife National Museum and Aquarium in Springfield, Mo. Other a-listers at the event included former presidents George W. Bush and Jimmy Carter. With all of the airport traffic that day, one can only assume Dierks' plane was one of them.

Sept. 22--"Hold the Light" was released on the "Only the Brave" soundtrack. The song quickly went viral and is expected to be an Oscar contender. The movie is literally and emotionally close to home for Dierks, as it addresses the loss of the 19 Granite Mountain Hotshots who died while fighting a wildfire in his home state of Arizona. “This is at the top, if not the most meaningful experience I’ve ever been a part of,” said Dierks. “It hits me harder than any other song I’ve had a chance to be a part of.”



Sept. 26--The long teased and awaited Carpool Karaoke with Sheryl Crow was worth the wait! With Dierks in the driver's seat and Sheryl riding shotgun, the comfortable pair took a drive down music memory lane, singing personal hits such as "All I Wanna Do," "Picture," "What Was I Thinkin'," and "Drunk on a Plane." 



Oct. 9--Dierks visited the University Medical Center in Las Vegas to perform a private concert for survivors, first responders, doctors, nurses and staff; even the food was provided by the man himself. In the aftermath of the devastating shooting one week prior, Dierks felt helpless; this was a way to bring light to a dark situation and do what he could to help bring smiles to these heroes.


Oct. 17--Good Morning America had DB Congress members on their toes all summer, anxiously awaiting the announcement of who would host the summer block party, featuring none other than Dierks and the band. While a DBC member didn't win, a few were lucky enough to be in the crowd. We got a behind-the-scenes look from a DBC lobbyist from Texas. You can read her story here!

Oct. 19--Dierks headlined a tribute to bluegrass pioneer Ralph Stanley in a concert at the Grand Ole Opry.

Nov. 4--DBC members weighed in on their favorite memories from the What the Hell Tour. From personal opportunities to talk with Dierks, to memorable family moments at a Dierks show, the responses came in by the handfuls! Here are a few stories as you travel down memory lane.

Nov. 7--The ASCAP awards showed a lot of love to Dierks' songwriters! Ashley Gorley, songwriter of "Black," was named the ASCAP and NSAI Songwriter of the Year. "Somewhere on a Beach took home the prize as Song of the Year. "Different for Girls" also walked away with the honor of being on the "Ten Songs I Wish I'd Written" list.

Nov. 8--Dierks was nominated for the CMA Male Vocalist of the Year. Though he didn't walk away with the trophy in hand, DBC reps have made sure he knows he's our male vocalist of the year. That has to count for something!

Nov. 9--It's just like Dierks to share the love following the highly successful What the Hell tour. He did so reminding other artists to be sure to thank their teams, noting #NoBandNoMusic #NoCrewNoShow.


Nov. 12--Dierks along with nearly a dozen other country stars teamed up to raise money for hurricane and Las Vegas shooting victims. Together, at Bridgestone Arena, they put on the "Country Rising: Nashville Gives for Hurricane Relief" concert, which raised a reported $4 million.

Nov. 18--Just in time for Dierks' birthday (Nov. 20), a dozen DB Congress members took on Durant, Ok., all wearing shirts made by a DBC Louisiana rep! The group even made one for Dierks to match.


Dec. 10--Dierks finally got accolades for something DB Congress members have known all along--Dierks is an amazing guy with a huge heart. Country Radio Broadcasters announced Dierks was selected to receive the Artist Humanitarian Award at the 2018 Country Radio Seminar. This award recognizes the "humanitarian achievements of country artists." With everything from hosting the Miles and Music for Kids to matching funds at a fundraiser for the Safe Haven shelter, Dierks has taken his natural platform and made it a voice for good.

Dec. 16--As a Christmas gift to DBC members, Dierks surprised the 15 or so reps who lined the stage at the shows in Vegas by performing not just one, but two new songs that are anticipated to be on his new album that should be released the beginning of next year. "Burning Man" and "Living" were absolute winners as soon as we all heard them. If these songs are any indication of what to expect with this new album to be released in 2018, let the countdown begin!





When members from the DBC had the chance to meet up with Dierks at that last show in Vegas, he wanted to pass on a message. He wanted to make sure you all know how grateful he is for your support and encouragement. Coming off of the "best tour of my life," he "hopes the fans feel the connection."

Dierks, this is why are honored to do what we do! We cannot wait to see what 2018 has in store!




Monday, July 10, 2017

"What The Hell Did I Say" Hits The Airwaves Monday (Plus A NEW Music Video!)

The fourth single to be released from Dierks Bentley's Black album, What The Hell Did I Say, is sure to climb the charts in a hurry. Can this summer anthem continue the trend and hit No. 1 like the three singles to come before it?


"We named the tour after this song hoping that it would be a single this summer because it perfectly captures the anything-goes spirit out there this year," Dierks explains.

Mission accomplished.

Though not a song penned by Dierks himself, it was written by the team who, with Dierks, wrote his single Drunk On A Plane--Ross Copperman, Josh Kear and Chris Tompkins. He knew he needed to have it on the album.

"I've learned over the years of making records that ... it's okay to have some of those fun songs on there," he shares.

It certainly brings a care-free spirit to the album and the tour, not to mention the social media craze with #WTH.

A song filled with regret, and a potential hangover, WTHDIS follows a man who clearly blacked out the night before. Waking up to a call saying "I loved every single word you left on my phone" leads the caller to try to determine "what the hell" he said last night.

The momentum-carrying intro practically begs the subject of the song to get it into gear to figure out what happened. The baseline teases of potential trouble in what he said. The chorus slams into the frustration (and humor) of not being able to remember. By the time you hit the bridge, you really start to get concerned (did he propose? promise expensive gifts?). While you never reach the answer, the journey is a sobering one set to a party song tune.

"My fans are really patient on this record [Black]," Dierks said in a recent media event. "We've taken a lot of twists and turns: Somewhere on a Beach was different. Different for Girls was different for me. And then Black, for that to go No. 1, it's not the typical song that does that. [My fans have] been really patient allowing us to do stuff. So to come back with a song that's a real down-the-middle, fun party song--it's kind of a good summer song, and I'm excited about it."

The new music video, filmed last month in Tampa on the WTH tour, was released at midnight EST. Watch it here:



You can help get this song to No. 1 by requesting it from your local radio station! Let's see how fast we can get this song up the charts and leave radio listeners saying, "'What the hell' was that song? Let's 'dial it up again'!"


Jessica Borrelli
DB Congress Rep, WA
@AllTheWayToMe

Sunday, March 26, 2017

Hosting, Performing, Three Nominations--Dierks Looks To Have A Big Night at Next Week's ACM Awards

Only one week remains to plan your Black-themed party (or at the very least set your DVR)—the Academy of Country Music Awards are Sunday, April 2. And it’s going to be a BIG night for Dierks Bentley.

Next weekend, Dierks returns to host the 52nd annual ACM Awards with Luke Bryan.


“It’s a great opportunity and a lot of fun,” Dierks said of hosting the ACMs. “Being in Las Vegas gives it a party atmosphere. I had a great time working on the show [last year], from the jokes and the opening monologue to being creative in a different way. And I love Luke!”

In addition to hosting, Dierks is scheduled to perform live at the show (he hinted at performing “Black” in a recent interview!) PLUS he’s nominated for three (deserved—can we say that?!) awards:
  • Male Vocalist of the Year
  • Album of the Year, Black
  • Vocal Event of the Year, Different for Girls, featuring Elle King

The Black album, a risk for Dierks, has earned numerous accolades, including nine nominations between the ACM, CMA and Grammy awards. It received a GOLD certification in February; it’s the only album in the ACM “Album of the Year” category to have reached this mark.

“Different For Girls” was named the CMA Musical Event of the Year at the 2016 awards show. The song Dierks “lost sleep about” has reached people on a relatable level. He believes having Elle as the female vocal lead helped with that success.

“She took a song that was a great song and made it a Grammy-worthy song!”

While, according to Dierks, hosting the show makes performing at it easier, running the show has its own stressors. On the heels of the Oscars flub earlier this year, Dierks had a realization about hosting this year's ACM Awards.

“The [Oscars] taught us that no matter how prepared we are or how great we do up there, as long as there’s a huge screw up at the end, that’s all they’re going to talk about."

So, they came up with a plan to prevent mishaps.

If something goes wrong, they decided Luke will have a wardrobe malfunction.

“At least that way everyone talks about that and not the show,” Dierks joked.

With a night full of fun, talent and recognition, next Sunday is guaranteed to be a memorable night (for Dierks, especially) as country music takes over Las Vegas.

The ACM Awards are Sunday, April 2, at 8 p.m. ET/7 p.m. CT on CBS.



Jessica Borrelli
DB Congress Rep, WA
@AllTheWayToMe

Wednesday, June 1, 2016

Album Review-Black: Dierks Bentley's Most Soulful Album Yet


Imagine climbing Everest in the dark, feeling your way up the arduous mountain, holding on to a rope notched with 13 beautifully-laced loops along the way.  That's how I feel listening to Black.  I can’t see a thing, but Dierks Bentley is pulling me along, making me feel one song at a time, each one taking me higher and deeper into the intelligent uniqueness of Dierk’s eighth studio album.

Take a trip with me and DB Congress Chart Reporter, Carrie Srebro, as we try to put our feelings about this body of work into words.

Black
: Written by Ashley Gorley, Ross Copperman and Dierks Bentley


There have been quite a few overtly sexual songs released to country radio over the past few years, which I’m personally not a fan of. What ever happened to leaving something to the imagination? But I think Dierks does a good job here of keeping it sexy but not overdoing it. I also really like the production on this song. I can see this being single #3. –Carrie Srebro (NC)


I still maintain this sensual song will replace Come A Little Closer as his signature love song.  The echo throughout positions the listener right in the moment.  Here, black is not nothing, but everything—no need to see, just feel.  I don’t wanna see a thing, I just wanna feel your love...Make my world go black.   –Ronna Clark (FL)


Watch Dierks intro the songwriters then perform "Black" at Highline Ballroom, NYC, 5/25/16:



Pick Up
: Written by Jaren Johnston, Jimmy Robbins and Andrew Dorff


I liked this song when it was pre-released, but the more I listen to the album, the more I LOVE this song. I feel like Dierks sings the hell out of this one, you can really hear his frustration. And this is a pretty universal theme, but also one that hasn’t been done a million times, either. I’d be totally fine if this were to become a single, but I don’t see it falling that way. – CS


Clever, crafty songwriting!  Dierks said in an interview that his wife “screens” his calls, so he can relate to such a relatable story—who doesn’t get frustrated or worried when the person you’re calling won’t pick up the phone! Nothing more irritating, and you just want to hear their voice no matter what. Vocally and emotionally, Dierks nailed this one. -RC


I’ll Be The Moon (featuring Maren Morris)
Written by Heather Morgan, Matt Dragstrem and Ryan Hurd


Easily one of my favorite songs on the album. Maren and Dierks complement each other nicely and both sing the song well. You can feel the heartache and sadness. It’s so pleasant to listen to.  –CS


How could a story of a secret love triangle sound so sweet and forlorn at the same time?  Easy—get Dierks Bentley and Maren Morris to sing it as a duet!  The narrative explores subject matter from a unique perspective and I hope it becomes a single and radio plays it all the way to #1.  Nobody else can match this extraordinary effort.  -RC


Watch Dierks and Jessi Alexander perform "I'll Be The Moon" at Highline Ballroom, NYC, 5/25/16:



What The Hell Did I Say:  Written by Ross Copperman, Josh Kear and Chris Tompkins

This one has grown on me immensely since being a pre-release track. Once I listened to it in the car, I was sold, haha! I love a good song to jam to, and this one doesn’t disappoint. It’s super catchy, and Dierks hinted it may be a future single on SiriusXM The Highway. –CS


Ross Copperman’s oriental sounding treatment gives it a diverseness only Dierks could pull off.  And how different that the girl actually LIKED “every single word you left on my phone.”  Love the creative new verbs—Did I say we’d go shoppin, that I’d Louis Vuitton her, That I’d Rodeo Drive her slide a Tiffany diamond on her.”  Is that like new math?  Kudos to Ross, Josh and Chris.  The chorus is infectious and I find myself singing it at the top of my lungs at red lights. -RC



Watch Dierks perform "What The Hell Did I Say" at Highline Ballroom, NYC, 5/25/16:




Somewhere On A Beach:  Written by Michael Tyler, Jaron Boyer, Alexander Palmer, Dave Kuncio and Josh Mirenda

Still not my favorite, but damn, did this song blow up and get the job done for leading off this album with some serious momentum. And in the context of the full album, it doesn’t sound out of place at all. –CS

When I heard this was the first single from the new album, I was disappointed to say the least.  Another bro song? Really?  I know Dierks has so much more depth, but I also know radio needed something for the masses.   And sure enough, SOAB climbed quickly and spent two weeks at #1 and three weeks on the Hot Country Songs chart and is still in the top ten this week—four months later!  The song has really grown on me and I sing along happily now.  And yes, it is perfectly placed as chapter five in Dierks’ book of Black. -RC

Freedom:  Written by Ashley Gorley, Ross Copperman and Dierks Bentley

This song makes me want to skip along and bop to it. Obviously a theme that’s been done before, but I love how anthemic and sing-along this is. Once more people are familiar with it, this should be a highlight of the live show. Definitely single worthy. –CS

Paying homage to our US military—that flag on a soldier’s sleeve—is always a popular theme.  Makes me feel very patriotic.  That, and all the singing about all freedoms we enjoy because of those soldiers.  I can see this going over big on tour and can already hear the audience singing it at the top of their lungs.  That ticket to your favorite show/Getting’ lost in the rock n roll.  -RC

Why Do I Feel:  Written by Dan Wilson, Ross Copperman and Dierks Bentley

This is where the album kind of hits the brakes for me. Lyrically and vocally (as in, Dierks sounds good), I like this song. But I don’t like the sparse production at all. When I hear the opening piano, I immediately expect to hear Luke’s “Strip it Down” and that’s not really a comparison I enjoy making. I’ve been trying to get more into the song, but the R&B cadence and vocal style aren’t working for me. –CS

When I hear the piano intro, I hear a matureness in Dierks’ music that easily fits in today’s all-genre world.  The production is distinctly Ross Copperman-crafted.  The second verse gets all the way to me—Dierks’ voice at its gritty finest: Trying to find pain, where there’s only love…And when I get more, it’s never enough.  I love the reverberation in the melody and the subtle dobro—that works for me!  I can’t wait for the vinyl version so I can start with Side B! - RC

Roses And A Time Machine:  Written by Luke Dick and Adam James

I think I’m the only person who likes this song. It’s quirky and funky, but I find the lyrics to be self-deprecating and self-aware – the dude knows he screwed up and at least he’s able to make fun of himself. –CS

No, you’re not the only one, Carrie!  This is the old-school Dierks that we know and love!  Co-writer Luke Dick delivered this tongue-in-cheek tune at the Highline Ballroom Songwriters show May 25 and the whole room was laughing and singing along half-way through. Best regret song ever!  Great rhymes—edumacation/relations.  Is THAT what a time machine sounds like?  Cool vibe, Ross Copperman!   I can see a black hole/time travel treatment video for this song—what do you say, Wes Edwards? –RC

Watch Luke Dick perform "Roses And A Time Machine" at Highline Ballroom, NYC, 5/25/16:



All The Way to Me:  Written by Luke Dick, Scooter Carusoe and Dierks Bentley

This song is like your favorite pair of worn in jeans. It feels so good. It’s like if Lot of Leavin’ Left to Do and Free & Easy had a baby. I love it. It just feels so… DIERKS. The production is like a nod to “old” Dierks, the lyrics are SO Dierks – really this is like a continuation of I Hold On and I just love everything about it. Super high on my list of album highlights for sure. (And I would do a lot to hear a bluegrass version of this. I bet that would be killer.) –CS

Hard to believe the same guy who wrote Roses, also penned this page right out of Bentley’s boyhood morphing into adulthood.  When I first heard this and saw the background video on Apple Music, I couldn’t help but think of Kansas Ambassador and country artist, Logan Mize (Somethin’ ‘bout starlight on Kansas/ The way a wheat field dances), yet distinctly Dierks.  This song demonstrates how deeply he feels about the influences in his life (Cass and the kids).  Favorite line: Somethin’ ‘bout me and her and how our love turned into brown eyes lookin’ up/The sound of hardwood floors on little feet.   Bluegrass version gets my vote, too!- RC

Different For Girls (Featuring Elle King):  Written by Shane McAnally and J.T. Harding

Another great duet. I think the duets on this album are my favorites of Dierks’ career so far. I know there’s a lot of brouhaha over the lyrics and the over-generalization of male behavior, but Dierks himself even said he sucks at being a “dude” when it comes to heartache, so I’m not going to read too much into it. This song sounds great, and I think this is a moment on the album where Dierks is really saying “you know, I’m raising two daughters now, and I look at these things differently than I used to.” And I also like the idea that it’s the douchey bro from SOAB having an introspective moment, too. Love this and I hope it’s a huge hit for him. –CS

A guy takes up for a girl – yes please!  This may not have been written by Dierks, but it’s true to the core of his character.  He has said many times he can relate to how girls handle heartbreak because it’s kind of like he has reacted in the past.  Remember Yeah, 'cause I've lost weight and I've lost hair/And I don't intend to ever go back there/Drinkin' and a-thinkin' 'bout a love that just wasn't true (Forget About You)?  Yeah—that was autobiographical.  Thank you Shane McAnally for thinking of Dierks for this song.  And thanks, Dierks, for thinking of Elle King’s (daughter of Rob Schneider and London King) exceptional voice.  Perfect duet and harmonies.  The unique lyrics tell an honest story of guys and girls reacting to break-ups so differently; different than any other song on the radio right now.  DFG should easily be his 15th number one single.  Favorite line: She don’t scroll through her phone just lookin’ for a band-aid. -RC

Mardi Gras (Featuring Trombone Shorty):  Written by Natalie Hemby, Steve Moakler and Dierks Bentley

I wasn’t too sure about this one when I listened to the album the first time, but wow, has it grown on me. It is so catchy, and again, I think Dierks kills the vocal on this one. I’ve had this song in my head a lot since Friday. –CS

While the production and melody remind me of Mardi Gras, the title is a metaphor for a girl who trashed the guy’s heart just like the streets of New Orleans the day after the real Mardi Gras. The trombone sliding of Trombone Shorty is the perfect action to tell this guy-done-wrong song.  Lyrical imagery abounds, painting the perfect charade picture.  Favorite line:  Strung me right along like lights on a balcony.

Light It Up: Written by Jessi Alexander, Ross Copperman and Dierks Bentley

This is another great track. I really like the spiritual metaphors. The production is perhaps a bit louder than it needs to be here, but it’s still a really great song, and one I wouldn’t mind seeing as a single, but it’s a bit similar thematically to HOLY by FGL so they’ll probably steer clear. –CS

Loved this song since I heard Dierks sing part of it acoustically on The Bobby Bones Show.  Vocally and melodically, the chorus soars and is much stronger than the verses.  Conversely, the lyrics in the verses are brilliantly written!  I used to get numb on a whiskey remedy/But then your spirit poured in like a symphony.  It’s apparent his angel (wife Cassidy) lights ups his soul! Co-writer Jessi and Dierks sang “Light It Up” at the Highline Ballroom in NYC last week. –RC

Here's a short clip of Dierks and Jessi performing "Light It Up" at Highline Ballroom, NYC, 5/25/16:



Can’t Be Replaced:  Written by Hillary Lindsey, Luke Laird and Dierks Bentley

Not much to say here that hasn’t already been said by basically everyone ever, but this is a fantastic song. First of all, I could talk about those dobro solos all day long. They’re gorgeous. Everything about this song is just perfectly executed. Definitely one of the best songs of his career. –CS

Whether its things or people, we all have memories of the images this song conjures up—totally saw my teen years flash before my eyes—Levi jacket, spinnin’ that bottle, Memorex mixtape and Boone’s Farm kiss.  Totally agree with the dobro solos, too—beautiful.  This may never be a single, although Dierks has said he would like it to be.  Our heart goes out to Jake who has been there with him since the beginning. -RC

If you want to feel every emotion in life, be sure to take Bentley’s Black along on your mountainous trek. It will seep into your soul, light it up and transcend you.

Ronna Clark
DB Congress Chair (FL)