Monday, June 18, 2018

Dierks Bentley Finds New Peak Atop "The Mountain"

I’ve sat down to finish this review several times over the past week, and I keep coming up with little to say – which, if you know me, is quite the feat.

As a Dierks fan since 2004, I’ve always thought his music stood apart from the mainstream just enough to make him unique. His love for bluegrass and rootsy, acoustic instruments was something that I always loved about him. No surprise, then, that my favorite album is Up on the Ridge. As a fan, too, I’ve been there for the ups and downs. I’ve attended the concerts he’s referenced lately where he was trying too hard to play the big arenas. I’ve wondered why he wasn’t recognized by the awards shows. I’ve seen him play the mainstream game a bit. I’ve watched his popularity climb through recent years, fueled by hits like “Drunk on a Plane” and “Somewhere on a Beach.” And while I do enjoy and appreciate Black as an album and thought it would be what finally took him all the way – looking back, I can see how it didn’t get the job done.

The Mountain just might be Dierks at his strongest – this just might be the summit of the mountain of a career he’s been climbing. I thought Riser was a standout album, and it is, but with the release of The Mountain I can see that Riser was not quite a fully cohesive album.

The Mountain is inherently Dierks. It’s rugged and rock-tinged, but still undeniably country. It has a heart, and it has lyrics that I challenge anyone to say they can’t relate to in some way. It tells stories, it evokes feeling, it creates landscapes, it makes you think. It does all the things that great music should do – and this is definitely great music.

Opening with second single “Burning Man” featuring Vocal Duo of the Year Brothers Osborne sets the tone for the record. It honestly took me a couple of listens to warm up to this entirely, and I had to listen to it in the context of the album for it to finally click, but now I think it’s one of the best songs on the album. I just love the juxtaposition of Dierks’ more rugged vocals and TJ Osborne’s smooth baritone – goes down like a fine wine. Or a shot of whisky! And even though the lyrics to the song are specific to a MAN, as a mother and a friend, I can tell you that I, too, am still a little bit holy water, and a little bit burning man.

I loved “The Mountain” upon first listen. The music itself evokes that kind of “keep moving” mentality. This song soars. I relate to these lyrics so much – I know everybody can. This song is inspiring down to its very core. My favorite line is “it just took a couple steps, a right then a left, then a couple million more who’s counting?” LIFE PEOPLE. THIS IS LIFE.

Which, quite perfectly, brings us to “Living.” And this is another one that rocked me upon first listen because the lyrics are just so true.  I don’t have much to say about this track other than it’s fantastic and I hope it’s a single because I really think it’s a message that everyone needs to be exposed to.

Next up is lead single and #1 hit “Woman, Amen” which I won’t spend much time on because it’s all been said before. After that is the wonderful “You Can’t Bring Me Down” which Dierks has said is a bit of a response to some gossip in Nashville, and I think it’s just such a great attitude. It’s also something I know people struggle with ALL THE TIME. This song is a refreshing message that everyone should hear – and has some fantastic instrumentation to boot.

Things get a bit sultrier on “Nothing on But the Stars” which shifts the gears of the album a bit – less about living life to the fullest and gratitude, and more about love, both lost and found. I like the dark feeling of “Stars” – it seems almost stormy, even though the lyrics mention the stars and constellations. A good friend described this song well – “Black” meets “Come a Little Closer” and I couldn’t agree more!

When I first heard “Goodbye in Telluride” I was a little disappointed. It didn’t seem to fit the mood of the album, seemed too polished and mainstream. The fast-talking verses remind me of Sam Hunt and while I know that he’s like THE BIG DEAL in country music right now, he isn’t my cup of tea, and I was uncomfortable with Dierks emulating that style on his own. But now that I’ve listened to the album in full, on repeat, probably a solid 50 times in the past week, I can say that this song fits in just fine on the album. Again, the music itself may sound like the Music Row Machine, but the lyrics paint a picture, and they feel clever and even a little hopeful, which settles in nicely with the themes of the album.

“My Religion” is a pretty, piano-led ballad, which is a sound we don’t often hear from Dierks. His vocals really soar on this song. I love the contemplative tone of the song, and I really love the sincerity and gratitude you can hear in his vocals on this song. If there’s one thing Dierks has learned to do in his career, it’s be an emotive vocalist!

“One Way” feels like your favorite pair of broken-in jeans. This song is one of the highlights for me – the instrumentation here is some of my favorite since Up on the Ridge, and I just love how breezy it sounds. The steel guitar makes it sound both mournful and wistful at the same time. This song takes me back to Dierks’ earlier albums and sounds like it would fit right in on Long Trip Alone just fine, but it doesn’t sound dated in the slightest.

Another album highlight is “Son of the Sun.” I grew up in Arizona myself and I can say that there’s a cactus flower somewhere out there that knows my deepest thoughts, too. This song reminds me of my dad – although he grew up in Ohio, once we moved to Arizona when I was 5, he was truly home. As an artist, he is constantly inspired by the gorgeous landscapes there, and this song really speaks to “home” for me. (Makes me a little homesick, too, but in a good way.)

I love how the album switches here to a reflective tone, sometimes evoking feelings of nostalgia, but otherwise just reflecting on the past but still focusing on the here and now. “Stranger to Myself” is something everybody can relate to. “Big hair and drunk smiles” can bring on some cringe-inducing but no less important memories in the building blocks that make up each of us. There’s a lot of gratitude in this song, too, which is clearly one of the album’s central themes.

“Travelin’ Light” featuring Brandi Carlile is nothing short of stellar. Again, the theme here is reflection and gratitude, focusing on the present day, and speaks to the importance of moving on from the past and not letting mistakes or previous ‘baggage’ weigh you down. Dierks and Brandi’s vocals sound great here, as does the mandolin-led rootsy instrumentation. This song has been a standout on almost every review I’ve read about the album, and this review is no different!

Which brings us to “How I’m Going Out” which can be a hard one to listen to because I don’t want to think about Dierks leaving us just yet! But, I can appreciate the honesty of this song, about not wanting to overstay your welcome once it’s time to move on. It can be a hard thing to soul search to really figure out if what you’re doing in life isn’t serving you, and this song really speaks to that.

One thing I love most about Dierks, and therefore, about this album, is that he’s not afraid to leave Nashville to do what he needs to do. Just like with Up on the Ridge he felt like he needed to get away to make the music he wanted to make. And I truly feel that this time, it’s paid off in spades. This album is a gem. It’s everything I love about Dierks and then some. It’s given me new things to appreciate about him as not only an artist, but as a human (and he was already a pretty great human to begin with). With The Mountain, Dierks makes it clear that he is the absolute best possible recipient of the ACM Honors’ Merle Haggard Award. He has certainly blazed his own trail in country music, forged his own path, and made an incredible album start-to-finish in the process.

Carrie Srebro
DBC Chart Reporter/Rep ~ NC 

Tuesday, June 5, 2018

"Living" Music Video--Behind The Scenes with Jennifer Fry

Shortly after Dierks' "Living" music video was released, we received a request from a Jennifer Fry to join the DB Congress as a rep from Maryland. Turns out, she's the woman who was featured in the moving and inspirational music video. We had the chance to catch up with her by email (and in person at the tour launch!) to learn the "behind the scenes" of making the video. Check it out!

1. How did Dierks' team hear your story and how did they reach out to you to see if you would be willing to be featured in the video? 
When I pre-ordered the new album ... I received an email asking for fans' stories on celebrating the human spirit and how various people have overcome great struggles or adversities, [stories] of those living life to the fullest and making a difference in people’s lives and/or communities. 

I decided to tell my story about my hearing impairment. I explained that although it does have its difficulty in life, I never let my disability stop me from doing something that I love, whether it was completing school, listening to music, playing instruments (flute and now learning violin), playing sports, learning Irish dance, or doing my photography. I always had people telling me that I couldn’t do it. I opted to prove them wrong. I don’t know if I will lose my hearing completely. I learned to appreciate things much more, such as the birds singing, the sound of water, or the sound of the trees in the wind. I truly enjoy photography because it allows me to document a certain moment as I see things.

After trying my best to outline my story, I added my photo and submitted my story. A few weeks later, I received an email from a producer asking me if I was interested in participating in one of his music videos. Of course, I was ecstatic!

2. What was your experience in filming the video?
It was surreal and I was a bit nervous during the whole process. The producer who contacted me was very sweet and made the whole experience something I will never forget. I had a film crew consisting of two gentlemen who came to my home. They were very professional, but also very down to earth. It was easy to talk to them. In a way, I believe the whole ordeal was therapeutic for me. First, to tell my story in hopes that it will give others with a disability a sense of hope. Second, to just be provided the opportunity do something like this was unbelievable. I don’t have a whole lot of big things that happen to me so this was something that I will remember the rest of my life.

3. Have you always been a Dierks fan?
I remember the first time I saw Dierks on CMT. I was sitting in my college dorm when “What Was I Thinkin'” came on. I imagine it was one of those top 20 countdowns. I was hooked on his music since then (and the curly hair!). That was in 2003, so for the past 15 years, I have been following him as a fan. What was even better was when I found out my husband was also a huge fan. I saw Dierks perform a couple of times before I was married. Now it’s nice because my husband and I go see him perform together.

4. The song "Living" holds a special place in a number of DBCers' hearts. How has this song resonated with you?
I am so much in love with the song “Living.” I did not even hear the song until they sent me a short preview of the video about a week after filming me. I had tears in my eyes because it relates to my life so much. I didn’t hear the full version of it until it was fully released. I can’t stop listening to it now. It resonates with my personal story. Although I have the hearing loss, I never really let it stop me from doing the things I want to do. I always find a way, even if I have to adapt my path from others. It makes me see the world a bit differently, which I love to document with my photographs. .. I try not to take things for granted. Life is short. Enjoy it while you can.

5. What was the most surprising outcome of being featured in the video?
Being able to do something like this was the biggest surprise. I have dealt with anxiety throughout my life, so I was tremendously nervous to tell my story to strangers. However, I knew if I didn’t push myself to do this that I would regret it for the rest of my life. It was sort of a proud moment for me personally. I hope it might inspire others who have a disability. Just because our lives may be a little different doesn’t mean they aren’t just as beautiful.

6. We heard you met fellow DBCers at the Maryland concert (and Dierks, too!)!
I met so many wonderful ladies at the Maryland concert. It was an absolutely amazing evening. Everyone was super friendly! Thanks to so many wonderful people, I did have a chance to meet Dierks! He was such an awesome down-to-earth person. It was so easy to talk to him. I thanked him so much for the opportunity he gave me with the video. And he said how much he enjoyed the story. He and his music just mean so much more to me now! The entire night was just amazing as always. I'll never forget it!

Welcome to the DB Congress as one of our newest reps, Jennifer (@Jenn_BH32)! Thank you for sharing your story!

Monday, May 28, 2018

Memorial Day and Every Day, How Dierks Bentley Honors Those who Died for our Freedom

You only need to listen to his music or see him perform live to know how much America means to Dierks Bentley.   His patriotism is on full display every day. And on Memorial Day, a day to remember and honor those who fought and died for our country's freedom,  we couldn't help but think about how his words and music do just that.

The most obvious song is "Home," from the 2012 album of the same name. Written by Dan Wilson, Brett Beavers and Dierks, the lyrics subtly serve as a reminder that many of our military gave their life for something they believed in--freedom. 

brave, gotta call it brave, to chase that dream across the sea
names, then they signed their names, for something they believed
red, how the blood ran red, and we laid our dead in sacred ground
just think, wonder what they’d think if they could see us now

it’s been a long hard ride, got a ways to go
but this is still the place that we all call home
it’s been a long hard ride, and i won’t lose hope
this is still the place that we all call home

Several years ago, Dierks performed "Home" at Country Music: In Performance at the White House--a series of events created to showcase the music that's contributed to the fabric of American culture.

"'Home" has been a staple in Bentley's set list since 2012 and fans capture that image of freedom every night at his live shows, where he sometimes brings members of our military on stage.

Photo by Stephanie Lanham, DBC Rep, Missouri

Photo by Stephanie Lanham, DBC Rep, Missouri

Photo by Marycoleen Geiger, DBC Rep, Louisiana

Photo by Dan Foley, DBC Rep, Massachusetts and featured in "The Mountain" video

Many fans in the audience come prepared to show their love of America during Dierk's performances.
Photo by Meghan Dunphy

Photo by Roger Stroupe, DBC Rep, Ohio
His father, Leon, served as a First Lieutenant in WWII and during Dierks' performances of  "I Hold On" you can see his image in the flag on the big screen as Dierks sings, I hold on Like the stripes to the flag, Like a boy to his dad I can't change who I am, right or wrong So I hold on.  Leon Bentley died June 1, 2012 and for many shows after that, Dierks would sing Home and pay homage to his dad by changing the lyrics slightly: just think, wonder what He'd think if He could see Me now.

He'd be so proud, Dierks!

Photo by Carrie Srebro, DBC Rep, North Carolina

In 2016, the Black album brought us "Freedom," more evidence of Dierks' love of our country.  Written By Ashley Gorley, Ross Copperman and Dierks, he sings: That flag on a solider's sleeve
All around the world they know what it means, And they all just wanna little piece of freedom, yeah

These are just a few examples of how Dierks honors our country every day and those who fell defending it.

Don't miss seeing Dierks on the Mountain High Tour this year with Brothers Osborne and LANCO.  See tour schedule here.

Ronna Clark (FL)
DB Congress Chair

Sunday, May 20, 2018

Dierks Bentley On Another Level for Opening Night of the Mountain High Tour in Columbia, MD

Photo Credit: Mary Lou Greene 
Cassady Feasby, Ben Helson, Dierks Bentley, Steve Misamore, Dan Hochhalter, Tim Sergent,
Opening Night, Mountain High Tour, 5/18/18, Merriweather Post Pavillion

Dierks Bentley was nine songs into his opening night of the Mountain High Tour before he drew a breath. 

"I didn't get a chance to introduce myself....Hi, I'm Dierks Bentley, I'm your lead singer tonight and you guys are amazing.  You guys are so incredible I cannot believe ...just blows my mind you guys are all here, everywhere, alright! up top!"

The Merriweather Post Pavillion was a gorgeous setting, and the fans in Columbia, Maryland on Friday, May 18, 2018 didn't seem to mind the rain to have the chance at the Dierks Bentley Mountain High experience.

All six 'Team Dude' members managed four costume changes (and wigs) in record time from the VIP 'mountain-clad' acoustic set, to 15 minutes later opening for LANCO in overalls as "The Maryland Monroes," then the new set, and a psychedelic '70's-themed encore--complete with platform shoes, bell bottoms and oh, yeah, a pilot's uniform.

The VIP acoustic set started out with stripped down versions of 5-1-5-0, Up On the Ridge, Drunk On A Plane and new from The Mountain album, "You Can't Bring Me Down." Fantastic fiddle playing by Dan Hochhalter! At one point, someone in the crowd was face-timing and Dierks took the phone and introduced the band to them. Dierks on the mandolin was having a blast, then traded with Ben Helson for the guitar.  Thank God for the versatility of this skillful group of musicians! Check out the VIP acoustic videos on our DB Congress Facebook page!

It's 9:20 pm and the lights go dark.  The intro music starts..."Well I bet my soul on a six string gamble, and I climbed like hell through the brush and the bramble. Even though I had my doubts, told myself, don't look down, and I turned that hill into a pile of gravel.  It was only a mountain, nothing but a big ole rock.   Only a mountain,  it ain't hard if you don't stop.  It just took a little step, a right then a left then a couple million more, who's countin'?  Hell, it's only a mountain, Hell, it's only a mountain...then BAM! An explosion --90 seconds of electricity and elaborate new lighting (compliments of Chris Reade), and live electric guitars, drums, bass, and banjo. Dierks, Ben Helson, Cassady Feasby, Dan Hochhalter, Steve Misamore and Tim Sergent rocked 'The Mountain' hard, straight into the next song--I Hold On.

Transitions were tight--they never stopped playing. Ending each song on the same note the next one began--seamless.  Before Somewhere On A Beach, Dierks quipped, if you want to climb a mountain, you gotta start at the bottom, you gotta start at sea level before you reach that altitude. The wild drum sound of Woman, Amen was augmented with LANCO and Brothers Osborne drummers in addition to Bentley's own Steve Misamore and perfectly positioned Black as the chaser.

Burning Man brought Brothers Osborne to the stage again--a much anticipated number since the Brothers are featured on the album cut.  And many DB Congress reps heard it live first in Vegas in December 2017. Ben Helson and John Osborne killed it while Dierks,  jumped up and down excitedly:

Up On The

Ridge took a turn to Hillbilly Shoes (a nod to Montgomery Gentry), spotlighting the vocal talent of bass player, Cassady Feasby. "You think you know me, but you ain't seen nothin' yet.  Til you walk a while, a country mile in my hillbilly shoes, he belts out while Bentley harmonizes with background vocals:

During 5-1-5-0, LANCO lead Brandon Lancaster returned to duet with Dierks on the 90's throwback, "Sold" (Grundy County Auction).

So how did the tour name come about? Dierks tells us.

"Ah man, we've been off the road for a while...this is our first night of the Mountain High Tour.  I got a record coming out called The Mountain, so me and the guys we're responsible for the "Mountain" part of the name, Brothers Osborne are responsible for the "High" part of the Mountain High Tour.  Pretty good, right? We're just so relieved to be back on the road, this is where we love to be.  We had to take some time off to try to make the best record we could, but we missed you guys, miss being around you guys."

"It was a crazy year last year, it was a hard year for a lot of us in country music, in the country music community and a lot of difficult times out there that we all went through together.  I was meeting earlier tonight with a girl who was here with her family and its her first concert back since Route 91 and I want to recognize her and her family--thank you for coming out tonight and letting us be your first concert since then--really means  a lot to me and the guys that you guys came here."

"I know everybody here, you all have your own mountains you're climbing, your own personal battles, and I tell you the one thing I know is that country music fans have more perseverance and determination than any people I've ever met in my life and we're gonna send this song to all you risers out there tonight--this is for you guys, you are risers, there's nothing you can't do, nothing we can't get through together. Isn't that right?"

Am I The Only One? allowed the guys to all sit down for a minute (whew!) on the new stage with a U-shaped set of lighted steps, and Dierks introduced each of them, then strolled out to the B stage for Tip It On Back--a perfect fit for the fans on the lawn- and Say You Do, before heading back to the main stage for Living, Thinking and Sideways.

When darkness comes to town, I'm a lighter...the stage goes dark for a short time and then a 70's clad crew come back for the lively Drunk On A Plane encore and suddenly Dierks is maneuvered high up in the stage clouds for the Mardi Gras tune in a make-shift plane.

As if our clear eyes weren't even blinking, it was over, leaving us with a heart full of grateful for all Dierks and his crew gave us tonight, an uplifting evening, allowing us to feel that fire we've been missin', we were living!

Don't miss the Mountain High Tour tonight in Camden, NJ.  See all tour dates here.

Ronna Clark
DB Congress Chair