Showing posts with label Thinking of You. Show all posts
Showing posts with label Thinking of You. Show all posts

Tuesday, December 25, 2012

Merry Christmas, Dierks Bentley Fans!

Thinking Of You Tree image


When it's Christmas morn, or the day is new 
That's how you know, I'm thinking of you

Merry Christmas, congress! Your dedicated daily support of  Dierks is phenomenal and never ceases to amaze me! It's very much appreciated!  Have a blessed holiday season and prosperous new year filled with DRTs!

~Ronna
DB Congress Chair
Florida

Sunday, August 19, 2012

Dierks Sells Out Red Rocks! DB Congress Reps Came From Near and Far!

"This is what 8000 cell phones looks like #RedRocks"
Tweeted by Jay Ballinger

Red Rocks Amphitheatre is a geological phenomenon – the only naturally-occurring, acoustically perfect amphitheatre in the world, with an elevation of 6,450 feet in Morrison, Colorado.  It literally and figuratively takes your breath away.  From Sting and The Beatles, to opera stars and U2, every artist aspires to play on this magical, spiritual and emotional stage.

Dierks Bentley has performed at Red Rocks twice before and I was there both times!  This year, on August 16, 2012, he sold out ALL 9,450 seats and I'm sad to say I wasn't in one of them!  But many of our DB Congress family were!  Dierks was excited to say the least and went on a Twitter picture spree:

"i have been thinking about seeing this view again for a long time"




"9,450 of you joined us for the completely sold out show at Red Rocks Amphitheatre in Morrison, CO. Here's a great shot!" 


Wednesday, February 8, 2012

Album Review: Dierks Bentley’s HOME



As fans, we’ve waited a long time for new music from Dierks Bentley.  We’ve watched from silent web cams, made up stories about the players in the Asheville, NC studio as well the songs.  And because Dierks had to make an album that was as creatively satisfying as “Up On the Ridge,” no one knew what to expect: including Dierks. 

HOME debuted yesterday morning to an amped up Dierks getting ready to play the Today Show and the number two overall album spot on ITunes.  Number 1 on the ITunes Country Charts.    Dierks has been quoted about the creative process, finding the right sounds after Ridge.  And he wouldn’t be true to himself if he left out the persuasion of mandolins and fiddle in a bluegrass bent towards the album.  So this album finds him firmly settled in knowing who he is and what sounds mirror his feelings.  The sounds have matured with him, becoming more complex, more encompassing, more feeling. 

The fun is still there in Am I the Only One and Tip It On Back.  Rowdy drinking songs that have been associated with the fun, bad boy side of Bentley from the beginning. 

But the heart of the man is still there. He’s Everyman.  The interesting thing about Dierks’ music is everyone sees and identifies with something different.  From the rowdy 5-1-5-0  and Gonna Die Young, his vocals ease over the emotion and grab our attention.   There’s balance in the album.  It encompasses a little bit of all of us.  The Woods (Jon Randall Stewart) a mid-tempo song, flirts with familiar advertising lines.  Diamonds Make Babies (Jim Beavers) provides a great live show segue but doesn’t have the same effect on the album as it can’t slip past the cliché.

However,  any female will tell you that the gravel in Bentley’s voice makes them pay attention to the ballads.  For the ballads on this album are stellar.  When You Gonna Come Around (Jamie Hartford) incorporates a style that makes you ache to see where it leads.  Karen Fairchild from Little Big Town provides a smoky quality to the  vocals that match well with Bentley’s gravel and provide sexual tension.   Breathe You In (Ryan Tyndell) requires you to listen more than once.  And ends with you licking your lips.   Heart of a Lonely Girl (Charlie Worsham) incorporates those bluegrass elements never far from Bentley’s heart. 

But the two stellar songs that can’t be missed on this album are Home (Wilson, Beavers, Bentley) and Thinking of You (Beavers, Bentley).  Home, complex enough to encompass our nation and all the ideas and persuasions that divide us as well as bind us to each other.   Sitting at #7 on the Billboard and Mediabase charts when the album was debuted, Home speaks to all of us.  It supports our diversity as well as our connections.  It’s as positive a song as it's possible to be, and filled with hope.  Bentley supports this vocally masterfully as I expect it’s a difficult song to sing.

But my favorite is Thinking of You.  The song is subtle and you buy right in, Bentley’s vocals are superior and perfect for the tune.  It’s not until the end that you understand where he’s going with it.    No surprise about where  the album is going though.  It’s going to number one with the fans. 


--Janet Marlborough
DB Congress Rep, CA

Sunday, February 5, 2012

Dierks Bentley's Historic Ryman "Home" Show


The Same. No it wasn't the same set list full of the usual hits that you may have experienced at a recent Dierks Bentley concert.  No. The Ryman Auditorium, in Nashville, Tennessee, with it's rich history of being the mother church complete with 60 years of legendary artists crossing it's scarred floor boards, was stronger than ever Thursday night, as Dierks presented his new "Home" CD, complete with tons of special guests, to a sold out crowd.

An unlike the normally reverent 'sit and listen' crowd, we the fans in the audience were free to stand up and sing along to every song. Not only were we treated to most of the songs from the new album, but old favorites and hits like "Every Mile A Memory," "Free and Easy," "Feel That Fire," "Sideways," "How Am I Doin'?" and a "Your Cheatin' Heart" intro to "Lot Of Leavin' Left To Do"--where Tim Sergent's steel guitar never sounded sweeter.  "Trying To Stop Your Leaving" was played with a new acoustic guitar vs. the normal red, electric guitar.

DB Congress (fan club members) from 14 states (FL, NC, TN, WI, IN, MS, DE, AL, MO, KY, CA, GA, PA, & MI) gathered at Jack's BBQ on Broadway before the show to hug old friends, meet new ones, compete in a Dierks trivia contest, share DB goodies and most importantly take turns "alley watching" for Dierks and/or the band as they wandered in and out the back door of The Ryman.






In the 1880s, when prominent businessman and steamboat captain Thomas G. Ryman found salvation in the words of fiery evangelist Reverend Sam Jones, he vowed to build a great tabernacle that would project Rev. Jones’s voice clearly and powerfully for all to hear.  The result - The Ryman Auditorium with arguably the best acoustic sound without need for a microphone.

In fact, opener Will Hoge at one point stepped stage right - far away from all the mics - motioned for his band to lower the volume of their instruments and proceeded to belt out not just one line, but the entire song - "When I Get My Wings" acoustically.  Can you say Standing Ovation? His vocal was incredible.  As if his voice wasn't enough to win me over as a new fan, the couple sitting next to me (Donna, DB Congress rep from Kentucky) told me about his background and how he had been in a terrible accident that crushed his lungs and broke nearly every bone, and he was in the hospital for weeks. And that he wasn't a newcomer--but on album "Number 7."

Will Hoge

Dierks surprised the audience with a stunning segment with The Travelin McCoury's performed only with acoustics and vocals on "Fiddlin' Around," and "Draw Me A Map" from the Grammy-nominated "Up On The Ridge" album.  The crowd went wild when Del McCoury stepped on stage to sing U2's "Pride (In The Name of Love)" also from "Ridge," and and old favorite of many die-hard DB fans, "Good Man Like Me," from the "Modern Day Drifter" album before wrapping it up with "Roll On, Buddy." Nobody could have wiped the smile off of Dierks' face.


Dierks and the band performed 7 of the 12 songs from the "Home" album, due out Tuesday, February 7, including  "Tip It On Back", his 8th number one single--"Am I The Only One?," "5-1-5-0 (somebody call the popo)," and "Heart Of A Lonely Girl," which he dedicated to his wife Cassidy explaining she and his daughters had been sick and they knew he had to perform The Ryman in a few days so sent him off to a hotel so he wouldn't get sick.  Dierks joked that here he was, getting ready to release an album called, "Home," and checking into a hotel with a backpack, guitar and a bottle of wine. Yeah, right!

After the "Up on the Ridge" redux, Dan "The Hawk" Hochalter took the stage for the haunting opening of Dierks' Pink Floyd cover (and Congress favorite) "Wish You Were Here." Absolutely love that opening fiddle - and Dan rocks it! 




After that, he admitted  that wasn't much of a dedication to Cass, so he launched into his second #1 hit, "Come A Little Closer," much to the delight of the females in the audience, despite the fact that Dierks had cut off most of his curls.

The special guests kept coming.  Karen Fairchild, the soulful singer from Little Big Town, joined Dierks on stage to showcase the duet on the new album, "When You Gonna Come Around."  Watch:



But the star of the entire night was little 3-year-old Evie Bentley, making her debut with daddy on The Ryman stage.  After the first verse of  "Thinking Of You," sang by Dierks alone with his guitar and his thoughts--eyes closed, he opened his eyes and motioned for the bare-foot beauty to join him on a stool, where her own-microphone awaited.  Watch this emotional moment:




Although Dierks told us that was to be the last song of the evening, the show went on, because after all, the title song, "Home" had not been sung yet, nor the one that started it all - "What Was I Thinkin?"  Many of the DB Congress waved American Flags during "Home."

For the finale, Dierks brought all the performers of the evening back on stage to say good-bye, not only to the audience, but to the historic Ryman stage floor boards - which he knelt and kissed.  How appropriate the last song before the restoration begins was "I Saw The Light," an acoustic/audience sing-along.  Here's the DBTV episode to recap the evening:



Everyone left the stage except Dierks, who stayed for at least 10 minutes, walking along the front of the stage, signing autographs, smiling, and saying thank you to the fans!




The evening was special--altogether emotional, inspiring, historic and unforgettable.  Later I heard many Dierks fans say that even though they had seen him perform countless times over the last several years, they felt the night was in their top 2-3 as far as DB experiences go.

For me, it ranks as the top Dierks experience of the decade.

~Ronna
DB Congress Chair
Florida

Sunday, January 22, 2012

Dierks Bentley Returns 'Home' to Country


Reposting from Billboard.com:

Dierks Bentley Returns 'Home' to Country


by Deborah Evans Price
January 21, 2012 9:00 EST

When Dierks Bentley steps onstage at Nashville's Ryman Auditorium on Feb. 2 to launch his new album, "Home," the show may feel like a walk down memory lane.
"I played gigs on Lower Broadway for a number of years. I'd walk by the building at three o'clock in the morning and rub my hand along the bricks in the back alley. That building means a lot to me. All I thought about was all the people who used to run back and forth between the Ryman and Tootsie's," he says of the country legends who traveled between the Grand Ole Opry stage and their favorite watering hole. "I think of all the history that has been a part of that place -- it really does mean something."

It's been more than a decade since Bentley (@dierksbentley, where he has 206,000-plus followers) was just another aspiring artist playing Music City honky-tonks. He's never lost his appreciation for country music's past, and it's Bentley's ability to merge the genre's traditions with his own progressive musical sensibilities that has earned him his own spot among today's contemporary hitmakers.

"The greats all have unique, distinctive voices -- Dierks is one of those," Capitol Records Nashville president/CEO Mike Dungan says. "He possesses one of those voices... you know who it is immediately. That's something you can't ever take for granted, or discount too lightly, especially in an environment where a lot of our men are starting to sound the same."

Bentley is also among country's most versatile artists, a gift he brandished boldly on 2010's "Up on the Ridge," a Grammy Award-nominated album that earned tremendous critical praise, but only a smattering of radio support. Ridge was about Bentley's passion for bluegrass and roots, and he was supported by guests like the Punch Brothers, Alison Krauss and Kris Kristofferson. With the Feb. 7 release of "Home," though, Bentley returns to the sound that made him a star.

"It's a step back into the country music mainstream," Capitol Records Nashville senior VP of marketing Cindy Mabe (@capitolnash) says. "It's 'home' because that's where he belongs, right in the middle of this format. He's so talented, and such a music lover that he needs to stretch his wings as an artist... but in the end, this is naturally his home. These songs and his voice take you back to the music of his first album, but it feels fresh at the same time."

Bentley debuted in 2003 with the No. 1 Hot Country Songs hit "What Was I Thinkin'." Since then, he's earned seven more chart-toppers, including "Come a Little Closer," which notched three weeks at No. 1; "Settle for a Slow Down"; "Every Mile a Memory"; "Free and Easy (Down the Road I Go)"; and "Feel That Fire." "Am I the Only One," the first single from "Home," hit No. 1 last September, and the title track is No. 11.

Of Bentley's five previous releases, three hit No. 1 on Billboard's Top Country Albums chart. His self-titled debut sold 1.1 million, and sophomore set "Modern Day Drifter" sold 1.5 million, according to Nielsen SoundScan. "Up on the Ridge" peaked at No. 2 in June 2010 and has sold 244,000 units.

It's not unusual for country acts to record side projects, but such activity generally happens in the twilight of a successful artist's career. The move was risky.

"I really try to practice living in the moment," Bentley says. "No matter where it is -- onstage, or at a meet-and-greet or being with my family -- just listening to my voice at the moment. ["Ridge"] was what I wanted to do, and once I get it in my head, it's hard to talk me out of it."

Dungan was supportive of Bentley's creative detour. "That music comes out of him so naturally," Dungan says. "Every album Dierks had released until then had included a bluegrass-style song. Once a decision was made to go forward, that record probably came together easier than any Dierks Bentley record had before because that's where he lives creatively."

Dungan never intended for a single to be worked to country radio. Nevertheless, "Up on the Ridge" peaked at No. 21 on Hot Country Songs and "Draw Me a Map" reached No. 33. "I had in mind a relatively inexpensive project that we'd work hard for six months, and then be off of it and on to the next thing," Dungan says. "Then the press started to ring in strongly and favorably. We started to hear things like 'album of the year' and 'one of the best records ever,' and it went from being a six-month record to an 18-month record where we released singles to country radio. The broader world got an appreciation for the Renaissance man that Dierks is. But here we are back to the bread-and-butter side of things, and I'm happy to be here."

When Bentley returned to business as usual, country radio was ready. "We had massive success with 'Am I the Only One,'" Dungan says of the No. 1 hit. The label then followed with the title track, a heartfelt salute to America that Bentley performed in November at the White House before President Obama in a concert that aired on PBS. "One of the things we're coming to the market with when this album streets is that we're going to have not one, but two hits," Dungan says. "That doesn't happen often in our business. I'm happy about that. We're offering two tracks that are instantly recognizable, and that's value for the fans."

Bentley began the project by heading to Asheville, N.C., with producer Jon Randall. "It was five days of doing the most intense preproduction I've ever done on a record," Bentley says. "'Am I the Only One' came out of that session. It was a great way to bridge from the bluegrass world back into country."

Bentley recorded the remainder of the album in Nashville with longtime producers Brett Beavers and Luke Wooten. "I wanted to make sure the album had some kick to it, but also incorporate the acoustic sounds that I love so much," Bentley says.

The Arizona-born singer/songwriter has written or co-written his eight No. 1 hits, but while recording the new album, he spent more time than before listening to outside material. "Thousands of songs," he says. "I've had 16 singles and they've all had my name on them. It's the way that I've always approached it. But I want to have a single that's not mine -- put an end to the streak. I'd love to see somebody else's song go to No. 1. There are 12 songs on this record and I wrote six, although for this record, I wrote more songs than I've ever written in my life."

Bentley wrote the title track with Beavers and Dan Wilson. "Home" has been selected as the official song for Arizona's centennial celebration. "People are going through a hard time, the way the country and economy are. Hopefully it's a song that makes you believe better days are ahead," Bentley says.

The remainder of the album is a blend of romantic ballads like "Breathe You In" and such escapist fare as "The Woods" and "Tip It on Back," which Bentley describes as the flip side of "Home." "It's like, 'Times are crap right now. I'm going to drink a little more than I should and just enjoy tonight. I'm not going to worry about all that stuff. I'm just going to have a good time.'"

"When You Gonna Come Around" is a soulful duet with Little Big Town's Karen Fairchild. "I love her singing, love that band. They're so talented," says Bentley, who approached Fairchild about duetting at Capitol Records' post-Country Music Assn. Awards party. "She said she'd love to do it, so the next day I sent her the song and two days after that, she was in the studio. It was so easy, natural and fun, and [there was] good chemistry."

The closing track, "Thinking of You," features an appearance by Bentley's 3-year-old daughter, Evie, singing the final words: "Daddy's home." Wooten took the audio from a birthday video. "Luke ended up putting it on the record. Normally I'd be hesitant about something like that, but it felt like it was natural."

"What I hear when I listen to this album," Capitol's Mabe says, "is that Dierks is comfortable in the place he is in his life, and this music reflects that. He's 'home.'"


In addition to the Feb. 2 performance at the Ryman, Bentley will visit Denver, Phoenix, Chicago, New York, Boston and Washington, D.C., for special listening events through Feb. 11, and he'll do a series of live chats from each city. He's also scheduled to appear on NBC's "Today" (Feb. 7) and CBS' "Late Show With David Letterman" (Feb. 8). Mabe says CMT will run a "Bring Dierks to Your Home" sweepstakes on the TV channel, online and on CMT Radio.
Bentley will resume the second leg of his Country & Cold Cans tour on Feb. 15, but first he'll take the stage at the Ryman, reveling in how far he's come. "I'm just a singer/songwriter that loves to be onstage with a band and loves to be out on the road," he says. "I love playing music. That's the dream I've always had."Fans are also being invited to submit photos that represent "home" to them, and that'll be part of a mosaic that makes up the album cover. Bentley will select one of the submitted images and the person who sent it will receive tickets to the Ryman show and meet him backstage. "We wanted the fans to get a chance to tell the story about their home," he says. "That's the most powerful four-letter word there is."